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Joachim Wtewael

1566-1638 Flemish Joachim Wtewael Galleries Dutch painter and draughtsman. He was one of the last exponents of MANNERISM. From c. 1590 until 1628, the year of his latest known dated paintings, he employed such typical Mannerist formal devices as brilliant decorative colour, contrived spatial design and contorted poses. He sometimes combined such artifice with naturalism, and this amalgam represents the two approaches Dutch 16th- and 17th-century theorists discussed as uyt den geest (from the imagination) and naer t leven (after life). Wtewaels activity reflects the transition from Mannerism to a more naturalistic style in Dutch art. Slightly over 100 of his paintings and about 80 drawings are known. Subjects from the Bible and mythology predominate; he also painted several portraits, including a Self-portrait (1601; Utrecht, Cent. Mus.).
Joachim Wtewael the Gods-Joachim Wtewael painting


the Gods-Joachim Wtewael
the Gods-Joachim Wtewael
Painting ID::  80638
   between 1603(1603) and 1604(1604) Medium Oil on copper cyf
  between 1603(1603) and 1604(1604) Medium Oil on copper cyf

 
 
   
      
Joachim Wtewael
1566-1638 Flemish Joachim Wtewael Galleries Dutch painter and draughtsman. He was one of the last exponents of MANNERISM. From c. 1590 until 1628, the year of his latest known dated paintings, he employed such typical Mannerist formal devices as brilliant decorative colour, contrived spatial design and contorted poses. He sometimes combined such artifice with naturalism, and this amalgam represents the two approaches Dutch 16th- and 17th-century theorists discussed as uyt den geest (from the imagination) and naer t leven (after life). Wtewaels activity reflects the transition from Mannerism to a more naturalistic style in Dutch art. Slightly over 100 of his paintings and about 80 drawings are known. Subjects from the Bible and mythology predominate; he also painted several portraits, including a Self-portrait (1601; Utrecht, Cent. Mus.).
the Gods-Joachim Wtewael
between 1603(1603) and 1604(1604) Medium Oil on copper cyf
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| Portrat des Infanten Philipp Prosper | Grotto in the Gulf of Naples | George Biggins' Ascent in Lunardi' Balloon sf | Bathsheba in her Bath | Battle of Fere-Champenoise 1814 |

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